Promoting the Vocal Music of Fr Áureo Castro
Organizer: Academia de Música São Pio X
Special thanks to:
Catholic Diocese of Macau
St Joseph’s Seminary and Church
The Hong Kong Catholic Cathedral of The Immaculate Conception
Centro Diocesano dos Meios de Comunicação Social
General Director and Project Initiator: Fr João Evangelista LAU Him Sang
Project Director: Basilla SAM
Music Director/Conductor: Dr Viola YUEN
Sound Engineer: CHAN Pui Ching
Sound Engineer Assistant: Crystal YIP
Video: MADLAB Productions, Hong Kong
Logistics: Leona FONG
Parce Domine
https://youtu.be/vAjCkG1Ah4E
Premiere date: 2025/03/09
Senhor, eu não sou digno
https://youtu.be/qKg_C7wDjFA
Premiere date:2025/03/16
“Lord, I am unworthy of Your love,
but deep down, I always long to hear You say ‘I love you.’”
On the second Sunday of Lent, we’d like to share a choral piece “Senhor, eu não sou digno” (“Lord, I am unworthy”) with you.
According to the Gospel, when Jesus decided to go to a centurion’s house to heal his servant, the centurion said, “Lord, I am not worthy to have you enter under my roof; only say the word and my servant will be healed.” (Matthew 8:8) The Church slightly alters this phrase for use before receiving the Holy Communion at Mass. When the celebrant says, “Behold, the Lamb of God! Behold Him who takes away the sins of the world. Blessed are those who are called to the supper of the Lamb,” the congregation responds by proclaiming, “Lord, I am not worthy that you should enter under my roof, but only say the word and my soul shall be healed.”
As long as we pray with humility and faith, and courageously seek the Lord, often just
Jaculatória
https://www.youtube.com/watch?v=DW5FQJ3saQc
Premiere date:2025/03/23
Scolding, arguing, exclusion, bullying…
Who can heal the wounds in my heart?
No matter what adversities and storms we are facing, we long to find a hiding place where our souls can find rest and peace. We can always turn to the Lord, seeking His love and compassion. In calling upon our Lord Jesus, we also express our trust and reliance on Him, believing that He is always there with us, granting us strength and peace.
Cum Inovcavero
https://www.youtube.com/watch?v=I6A5PQ_tRks
Premiere date:202/03/30
“Lord, when we are in distress,
we still look up to You!”
Let us remind ourselves with unwavering faith that true joy comes from our Lord.
Ó Vós Todos
https://www.youtube.com/watch?v=IPh2T3y6Qno
Premiere date:2025/04/02
Tantum Ergo
https://www.youtube.com/watch?v=Fc2YDhg4ztE
Premiere date:2025/04/06
Terra Tremuit
https://www.youtube.com/watch?v=CXeElydeOM8
Premiere date:2025/04/09
The time has come, all secrets will be revealed.
Can we face Him with our heads held high?
Today, we’d like to share a mixed-voice A Cappella piece, “Terra Tremuit”.
Fr Áureo composed the music for this lyrics in 1960, shortly after he returned from his studies in Portugal. His musical style features greater tension and richer colors. The entire piece is powerful, evoking thoughts of God’s wrath, the Lord’s victory over death, the Final Judgment, the fear of sinners, and the glory of the Lord, ultimately returning to peace.
Crucem Tuam
https://www.youtube.com/watch?v=pQ9tBU18UAo
Premiere date:2025/04/13
Passionis et Mortis Domini secundum S. Joannem
https://youtu.be/64yQbO2axew
Premiere date:2025/04/16
“Though harshly treated,
he submitted and did not open his mouth.”
(Isaiah 53:7)
Today, we’d like to share a mixed-voice A Cappella piece, “Passionis et Mortis Domini secundum S. Joannem”.
Starting tomorrow, we will begin a three-day celebration called “Triduum”. This includes the Lord’s Supper (Holy Thursday), the Celebration of the Lord’s Passion (Good Friday), and the Easter Vigil (Holy Saturday). The Triduum is the most important time in the Catholic Church’s liturgy. It’s a time for repentance and prayer, as we prepare to welcome the resurrection of our Savior with hope.
On Good Friday, we will read the Passion of our Lord Jesus Christ from the Gospel of St. John (18:1-19:42) in a dramatic way. This approach helps the message of the Gospel touch our hearts more deeply. The Lectionary may be read by more than one person: the priest taking the part of Christ, a narrator and another reader (which could be a deacon, another priest, or lay reader), with the congregation responding as the crowd. Fr. Áureo wrote music for the crowd’s responses, which the choir will sing in “Passionis et Mortis Domini secundum S. Joannem”.
In this recording, we have chosen to read the entire lectionary and then have the mixed-voice choir sing the parts composed by Fr Áureo, aiming to present the effect of the work as he envisioned. The style of this composition is relatively mature, likely written after his return to Macau. It may have been written for the seminarians and the purpose of liturgy while he was teaching at St. Joseph’s Seminary. Although each verse is short, it conveys great solemnity and power.
The script is adapted from John 18:1-40 (The Passion of our Lord Jesus Christ according to St John)
Full text, click here
Surrexit Dominus
https://www.youtube.com/watch?v=EWl3htnvxu4
Premiere date:2025/04/20
“When Christ who is your life is revealed, then you also will be revealed with him in glory.” (Colossians 3:4)
The Lord Christ has gloriously risen! Today is Easter, and we’d like to share with you a three-part choral piece with organ titled “Surrexit Dominus”.
The Latin text of this piece is perfect for Easter, celebrating the resurrection of Jesus Christ. Easter is the central to the Catholic faith, emphasizing Christ’s passion, death and resurrection. The resurrection of Jesus assures believers that death is not the end but a passage to eternal life with God.
Fr Áureo skillfully conveys the meaning of the lyrics through music. Although this work is in a minor key, the composer marks the score with “Andante gioioso” (joyful walking speed). The piece opens with the organ playing an introduction that starts on a low F-sharp note, gradually ascending in an imitative, progressive form. This sets the stage for the first line of the lyrics – “The Lord is risen from the tomb”.
Next, the three vocal parts of the choir sing the melody using counterpoint techniques. When the music transitions to the second line, “For our sake He was hung on the Cross”, the mood shifts dramatically — the tempo slows down, and the sound descends, as if the Cross is being hoisted and then set on the ground. This creates a vivid musical image. The piece then reaches its climax, where the choir joyfully sings “Alleluia”, intertwining their voices with the organ accompaniment. It ultimately concludes powerfully alongside the organ.